The Queen of Sheba and Solomon, from Old and New Testaments 1548

Editor: This engraving, titled "The Queen of Sheba and Solomon, from Old and New Testaments," was created in 1548 by Augustin Hirschvogel. It feels so intricate and meticulously detailed, especially considering the size. What jumps out to you from a formal perspective? Curator: The composition immediately commands attention. Note the balanced yet dynamic arrangement. Solomon, enthroned and centered, establishes a vertical axis countered by the Queen’s forward motion creating a strong diagonal. What effect does the linear quality of the engraving have? Editor: I guess the hatching emphasizes form and creates a sense of depth, but it also feels almost…clinical? Curator: Precisely. The use of line dictates not just form, but also texture and tonal value. Look closely at the drapery – how does Hirschvogel achieve volume through line alone? And how do the repeating shapes of the figures draw your eye around the whole picture? Editor: I see what you mean. The way the lines curve and cluster create shadows, making the robes appear full. But is there more to it than just form? Curator: While the narrative element is undeniably present, a formalist reading pushes us to consider *how* the story is conveyed. Is the message in the geometry? The placement of the figures? Think about the varying densities of the hatching…where are the darkest areas, and what do they emphasize? Editor: The darkest areas really do draw attention to Solomon and the gifts. I hadn't noticed that so explicitly before. Curator: The density emphasizes their hierarchical importance. This engraving, at first glance seemingly illustrative, reveals itself as a carefully constructed system of lines, shapes, and tonal values which ultimately dictates how the narrative is perceived. Editor: It’s amazing how much meaning can be conveyed through such a disciplined, formal approach. I'll never look at an engraving the same way.