Gezicht op het graven van een funderingsput ten behoeve van de bouw van een schutsluis ten westen van Terneuzen by Carl Wilhelm Bauer

Gezicht op het graven van een funderingsput ten behoeve van de bouw van een schutsluis ten westen van Terneuzen Possibly 1901 - 1920

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print, photography

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natural tone

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print

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landscape

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photography

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photojournalism

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realism

Dimensions: height 286 mm, width 387 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Carl Wilhelm Bauer's "Gezicht op het graven van een funderingsput ten behoeve van de bouw van een schutsluis ten westen van Terneuzen," a photograph, probably taken sometime between 1901 and 1920. The tone is overwhelmingly bleak. What kind of social commentary might Bauer be trying to offer through this depiction of industry? Curator: This image speaks volumes about early industrial impact. Notice the scale of the excavation. It's almost alienating, dwarfing the figures observing the machinery. Considering this was taken in the early 20th century, what social and economic changes do you think were influencing Bauer’s perspective? Editor: Well, the Industrial Revolution was transforming society. I imagine rapid urbanization, wealth disparities, and anxieties about technology were very prevalent themes at the time? Curator: Exactly. Bauer's work provides visual evidence of these shifts. Consider the composition. The harsh lines of the pit contrast starkly with any semblance of natural landscape. Do you think this composition conveys a sense of progress or something more conflicted? Editor: I lean towards conflicted. The massive pit and the rudimentary technology give off an unwieldy impression, and seeing all those felled trees, you realize it is literally carved out of the earth, so maybe it implies that progress has a cost. Curator: Precisely. And it's crucial to question whose progress this truly is, who benefits, and who pays the price, because marginalized groups are often the first to suffer negative consequences. It urges us to reflect on similar issues facing us today. Editor: I had not thought about it this way. It reframes the whole picture. Thank you. Curator: Of course. Art like this forces us to engage in important dialogues about humanity, labor, and the environment.

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