Study of a Sleeping Figure for "David in Saul's Camp" c. 1895 - 1900

Editor: Here we have John Singer Sargent’s “Study of a Sleeping Figure for 'David in Saul's Camp'”. The charcoal rendering gives the figure a sense of vulnerability. What stands out to you? Curator: I see a deliberate emphasis on the male form, echoing classical ideals while subtly subverting them. The pose, reminiscent of ancient sculptures, speaks to themes of power, vulnerability, and the male gaze. How does Sargent, operating within a specific socio-political context, engage with these representations? Editor: That's a really interesting take! I hadn't considered the male gaze aspect. Curator: By understanding the cultural landscape in which Sargent worked, we can unpack how he both embraced and questioned conventional depictions of masculinity. Thinking about the historical construction of gender, what does this figure suggest about power dynamics of the time? Editor: I see your point. I'll definitely look at Sargent's work with a new lens.