Beschieting van het huis van Lucas van Steveninck, 1787 by Mathias de Sallieth

Beschieting van het huis van Lucas van Steveninck, 1787 1787

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Dimensions: height 395 mm, width 425 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this engraving, I am immediately struck by the dramatic use of light and shadow, the contrast so meticulously rendered through line. Editor: And chaos. My initial impression is disorder, aren't buildings supposed to be...intact? I find it hard to ignore that there's smoke and some kind of weaponry involved! Curator: Precisely. We're observing Mathias de Sallieth’s “Beschieting van het huis van Lucas van Steveninck, 1787," now housed in the Rijksmuseum's collection. It depicts exactly what the title says: the shelling of Lucas van Steveninck’s house. Editor: The image appears so matter-of-fact, documenting violence. But it must say something about public sentiment at the time, doesn't it? Who was Steveninck, and why was his house under fire? Curator: Steveninck was a prominent figure, and this event occurred during political upheaval. Consider the artist’s compositional choices—the cobblestones directing the eye toward the building, the plumes of smoke creating an almost decorative, albeit unsettling, effect. It brings a kind of baroque drama into what must have been quite a dangerous situation for Steveninck. Editor: So it becomes this rather charged emblem of social discord rendered with baroque-like exuberance. A rather uncomfortable intersection. And what does it tell us about de Sallieth's intentions? Surely there’s some commentary here, beyond mere reportage? Curator: Exactly! The rigid lines of the architecture juxtapose dramatically against the chaos. One might argue the clean lines represents order while the plumes disrupt any pretense of stability in the depicted scene, even aesthetically. Editor: Considering its status as a print, distributed widely, its inherent purpose as agitprop is clear. These conflicting formal qualities intensify the socio-political unrest it captures. I can appreciate your close reading to see this. Curator: It has been my pleasure to do so. Editor: Indeed, thinking through it, the level of orchestrated turmoil here makes you realize it is so much more than a cityscape.

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