Watch case by George Harrison

Watch case 1770 - 1775

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Dimensions: Overall (confirmed): 1 15/16 × 1 7/8 × 5/8 in. (4.9 × 4.8 × 1.6 cm)

Copyright: Public Domain

Editor: So, we're looking at this incredible "Watch case," made of gold and other metals around 1770-1775. It's really quite something, such a beautiful little object. The details and miniature scale are captivating. It seems to glow with an opulent kind of importance. I'm curious, with your expertise, what catches your eye about a piece like this? Curator: It's a stunning example of Baroque decorative art, and seeing an object like this in a museum context invites us to consider its public role. This watch case isn't just about telling time, it’s a statement of wealth and status. What sort of statements do you think this level of detail says about society at the time? Editor: I guess it points to a society where conspicuous consumption was a powerful visual language, and art played a part in creating that display. So who exactly did these things serve? Were they widely seen or more private objects of prestige? Curator: Excellent question. While an object like this was undoubtedly a personal item, intended for the owner’s enjoyment and use, it also subtly communicated the owner's position within society. Remember the baroque era was deeply concerned with symbols and messaging. And what kind of message does this particular watch with it’s color and expensive details give off? Editor: Certainly, that it belonged to someone important! Looking at it now, in a museum setting, I’m struck by how it highlights that historical distance between access to something as frivolous and pretty as this watch and, say, the working class. Curator: Precisely. And museums become powerful places to have those kinds of discussions about socio-economic differences throughout time, don’t you agree? Editor: Absolutely, bringing an item like this "Watch case" to the museum's spotlight does encourage us to analyze the politics embedded within such exquisite crafts. It goes beyond the surface-level beauty. Curator: Yes, we’re showing and talking about power, taste, and access as it existed then, and how these echoes of class still affect things now.

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