Design for the base of a crucifix c. 1755 - 1760

Philippe Caffieri the Younger made this design for the base of a crucifix with graphite. The drawing is from 18th-century France, a time when the Catholic Church was a major patron of the arts, commissioning elaborate religious objects to reinforce its spiritual and political authority. Note the intricate, ornate detailing, typical of the late Baroque style, emphasizing grandeur and emotional impact. Caffieri was from a dynasty of sculptors. They were connected to the Royal court and deeply involved in the Académie de Saint-Luc and the Académie Royale, institutions which shaped artistic production. The design reflects the social hierarchy of the time, where the aristocracy and clergy enjoyed immense power and wealth. The crucifix, prominently displayed in churches, served as a potent symbol of religious and social control. To understand the role of art in 18th century France, we need to look at documents from the French Royal Academy, guild records, and inventories of church property. These sources help us appreciate the complex relationship between artistic expression, religious doctrine, and social power during this era.