Brief aan G.M.C. Hooft, secretaris van de commissie van de Tentoonstelling van Levende Meesters in Den Haag Possibly 1841 - 1844

This letter, composed by Julien Joseph Ducorron, employs a series of written symbols to convey meaning. In its cultural context, the epistolary form itself serves as a symbol of communication, revealing the social etiquette and formal exchanges of the 19th century. Consider the written word, a motif stretching back to ancient civilizations. In hieroglyphs, symbols carried stories and histories. The flowing script here continues that tradition, though it transforms the visual into linear text. One might trace this evolution from sacred inscription to personal missive. The act of signing one's name, as Ducorron does, is a gesture of ownership and validation—a ritual performed across various periods and cultures. Through these symbols, we sense a deep human drive: to connect, to record, and to leave a mark. Each stroke of the pen is a testament to our collective need to transcend the ephemeral. The letter's survival reminds us that even the most personal communication is, ultimately, a public expression, destined to resurface and be reinterpreted across time.