Telemachus vindt Mentor op Cyprus by Jacques Philippe Le Bas

Telemachus vindt Mentor op Cyprus 1755

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print, engraving

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baroque

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print

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pencil sketch

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old engraving style

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landscape

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figuration

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history-painting

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engraving

Dimensions: height 171 mm, width 98 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Telemachus vindt Mentor op Cyprus", a print made around 1755 by Jacques Philippe Le Bas, housed in the Rijksmuseum. I find the old engraving style really charming, although the scene itself seems rather theatrical. What strikes you when you look at it? Curator: What strikes me is the overt presentation of classical ideals within a framework shaped by both royal patronage and emerging public spheres. Prints like these played a critical role in disseminating stories like Telemachus’s—tales used to educate elites, instill virtue, and indirectly reinforce the existing social order. How do you see the composition contributing to that purpose? Editor: Well, Telemachus, Mentor, and the other figure stand very prominently in the foreground, very staged, like actors. It does make them seem important. I suppose the setting, with the classical architecture behind, gives it all an air of importance. Curator: Precisely. Le Bas wasn't simply illustrating a story; he was contributing to a visual culture steeped in specific understandings of history, power, and even morality. These weren't just images; they were tools in shaping public and private attitudes towards leadership, civic duty, and what it meant to be cultured. Editor: So it's less about the artwork itself, and more about its role in a larger societal discourse? Curator: Exactly! This print participated in a complex visual economy where meaning was generated not only by the image itself but by how it circulated, who consumed it, and what socio-political functions it served. Understanding that shifts our appreciation from aesthetics alone to a critical engagement with its cultural function. Editor: I never thought about prints having such influence! It gives a whole new dimension to something that just seemed like an illustration. Curator: And that understanding illuminates the power structures embedded within seemingly simple artistic choices. Always ask: who benefits from this representation, and what does it seek to naturalize?

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