The Last Supper after the painting in San Polo, Venice 1518 - 1594

This is an ink drawing of the Last Supper, after the painting in San Polo, Venice. Here, the apostles are gathered with Christ before his crucifixion, sharing a final meal. The halo above Christ's head is a radiant symbol of his divinity, an aura that has its roots in ancient sun worship. Consider, too, the postures of the figures. The dramatic gestures—some with arms outstretched, others recoiling—speak to a moment of revelation and impending doom. These gestures echo across centuries, from classical depictions of ecstatic Bacchantes to Renaissance portrayals of saints in states of religious fervor. The motif of the shared meal itself is laden with symbolism. In ancient times, communal eating cemented bonds and signified unity. Here, it foreshadows the Eucharist, a sacrament meant to unite believers with Christ. The artist captures the psychological intensity of the scene, inviting us to contemplate themes of loyalty, betrayal, and spiritual awakening. A cyclical return of potent images, indeed.