Entry into Jerusalem, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 1508 - 1518

Albrecht Altdorfer made this tiny woodcut, Entry into Jerusalem, around 1515, using a block of wood and a sharp knife. The dense lines and intricate details, especially considering the print's small size, speak volumes about Altdorfer's skill. Working with wood demanded careful planning, precise cuts, and patience. Each line you see was carved away from the block, requiring immense control. Look closely at the architecture, the delicate palm fronds, and the textures of the robes. This print comes from a series of 40 images, tracing the story of human redemption. Woodcuts like these weren't just art objects, they were accessible tools of religious messaging, distributed widely. The labor invested in their making, and their eventual consumption, speak to a society deeply involved in the process of both artistic creation and spiritual seeking. By appreciating the craft, we can move beyond conventional ideas about fine art, and understand the role of prints like this in shaping cultural values.