Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry c. mid 16th century

Curator: This dazzling folio, attributed to Mir `Ali Haravi, showcases masterful calligraphy interwoven with vibrant paintings, all sourced from an anthology of poetry. Editor: The meticulous details and the vibrant palette immediately strike me; it feels like looking into a miniature jewel box. What can you tell me about how this object may have been commissioned? Curator: Well, in the 16th century, the production of such a lavish manuscript would have been an investment reflecting the patron's status. High-quality pigments were costly, and the labor of both the calligrapher and the painter demanded significant resources. Editor: It's fascinating how this folio served both a functional and a symbolic purpose. The act of creating and possessing something so meticulously crafted speaks to a specific set of values within the court. What do you think about its scale? Curator: Its size is certainly important; the intimate scale invites close inspection and personal reflection, a tactile experience of luxury for those privileged enough to access it. We have to consider the consumption of poetry in court circles and the social rituals surrounding book arts. Editor: Seeing this interplay between text and image really highlights the layered meaning embedded in each component, demanding skilled craftsmanship and artistic collaboration. What an intriguing little glimpse into a vibrant past.