Anneke Jacobs van Thetenbul vóór en ná een operatie van een tumor 1656

Editor: This engraving by Cornelis Visscher, titled "Anneke Jacobs van Thetenbul Before and After a Tumor Operation," dates back to 1656. It’s quite striking, juxtaposing a portrait of a woman with what I presume is the removed tumor. It seems almost clinical in its presentation. How do you interpret this work, considering the historical context? Curator: Well, consider the role of the artist and printmaker within 17th century Dutch society. Visscher wasn't just creating an image; he was participating in the circulation of knowledge and shaping public perception around medicine. This print is a document of a surgical procedure, but it’s also a powerful form of public health communication. It presents both the illness and the triumphant surgical solution, appealing to a wide audience interested in both scientific advancement and miracle-like healing. How does this compare to other medical illustrations you might know? Editor: I can see that, almost like an early form of medical illustration or even propaganda! The act of showcasing this successful surgery, alongside text praising the procedure, highlights the emerging authority of medicine. Curator: Precisely! It’s also worth thinking about the role of institutions. Note that several named figures “assisted” with the surgery, while unnamed “Genees Heeren” are mentioned to be present too. Such a medical success being publicly shown may indicate its connection to larger political motivations, showcasing medical expertise of the Amsterdam Republic. Given these factors, could you say that medical images such as this are just straightforward visual descriptions? Editor: Not at all. I see now it’s carefully constructed to showcase specific individuals and institutions, contributing to a wider narrative of progress and expertise within Amsterdam’s socio-political landscape.