Plate Number 156. Jumping, running straight high jump by Eadweard Muybridge

Plate Number 156. Jumping, running straight high jump 1887

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print, photography, gelatin-silver-print

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portrait

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pictorialism

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print

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figuration

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photography

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gelatin-silver-print

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realism

Dimensions: image: 18.2 × 42.85 cm (7 3/16 × 16 7/8 in.) sheet: 48 × 61.2 cm (18 7/8 × 24 1/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Eadweard Muybridge, a pioneer of photography, captured this series titled "Plate Number 156. Jumping, running straight high jump" around 1887. What springs to mind when you first see this sequence? Editor: Well, beyond the obvious breakdown of movement, I see this almost… suppressed energy. It’s as if the figure is bound by the societal constraints of her time, the long skirt and hat almost hindering the act of leaping. Curator: Indeed. The skirt swirling around her form actually recalls depictions of drapery in classical sculpture. It's like she is embodying a Victorian era Nike, goddess of victory. Editor: That is a great point. Look at how her gaze remains consistently downward, almost submissive. The act of jumping becomes this restrained rebellion, doesn't it? We see a hint of liberation but still very much under a set of rules. Curator: This image uses chronophotography, freezing each fraction of a second so that scientists and artists, or maybe even we, mere onlookers, could examine motion more closely. Editor: The repeated stool takes on its own symbolic quality, right? I think it embodies imposed structure, what one needs to get over in a literal sense. In a larger cultural sense, it points to social constraints in a Victorian society, but also to self-imposed restrictions. She is getting over these, albeit in an unusual set-up. Curator: That reminds me of some cognitive behavioral approaches! What the image captures is beyond just physical capability; the whole scene is about aspiration, maybe about transcending personal limitations. Editor: This breakdown invites an appreciation of each precise phase, a chance to examine each of the components. Curator: This piece definitely gives an insight into motion, and moreover to our human endeavors, small and grand, toward achieving a set objective. Editor: Yes. Ultimately, maybe, this work also speaks to the possibility of self-empowerment—a victory against personal inhibition. It prompts an ongoing curiosity.

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