Saint Michael 1467 - 1907

Neroccio de' Landi painted this panel of Saint Michael in the 15th century using tempera and gold on wood. The choice of materials here isn’t accidental. Tempera, made from pigment mixed with egg yolk, creates a luminous, matte surface. Gilding, the application of thin gold leaf, adds symbolic value, evoking the divine and a sense of opulence. These materials reflect the patronage system of the Renaissance, where skilled artists relied on wealthy commissions. Consider the labor involved: grinding pigments, preparing the wood panel, applying delicate layers of paint and gold, and the precision required for details like the saint's armor and the scales of justice. These skills were developed through years of apprenticeship, part of a highly structured workshop system. Looking closely, you will notice the incredible detail, achieved through steady hands and keen eyes. These traditional techniques elevate craft to fine art. The materials, processes, and social context of this panel reveal the fusion of artistry and craftsmanship.