The Paschal Lamb 1575

Editor: Palma il Giovane's "The Paschal Lamb," created around 1575, really strikes me with its dramatic use of light. It feels like we’re peeking into a very intimate and important ritual. What’s your take on this piece? Curator: Il Giovane created this historical interpretation of Exodus 12. Think about Venice at this time; this painting highlights their own complex relationship with their powerful trade partner to the east, the Ottoman Empire. In contrast with most painting being done on the Itallian Penninsula during this era, does anything call to mind the visual of Ottoman painting to you? Editor: Well, now that you mention the Ottoman empire, there is an expressive storytelling here. This feels related to miniatures made in modern-day Iran and Turkey. Is that what you mean? Curator: Absolutely! Note how Il Giovane created this dramatic *narrative* style to address Venice’s economic reliance upon their trade relationships with a power which also threatened Venetian authority. Venetian identity here is deeply complicated. How might a narrative help ease public worries? Editor: The storytelling makes something difficult, easier. Curator: Indeed! Through religious and historical references, it's suggesting continuity with a divinely ordained past, almost like saying, "We've been through tough times before, and we'll get through this." So much rides on how we collectively *view* an artwork like this. Editor: I see now that looking at the politics, economics, and anxieties of the time adds a whole other dimension. I'll remember this! Curator: Remember the importance of that socio-political context to a deeper understanding. Thank you!