Daniele Renier, Venetian Patrician [obverse] by Giulio della Torre

Daniele Renier, Venetian Patrician [obverse] before 1534

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relief, bronze, sculpture

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medal

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sculpture

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relief

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bronze

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11_renaissance

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sculpture

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italian-renaissance

Dimensions: overall (diameter): 6.51 cm (2 9/16 in.) gross weight: 78.82 gr (0.174 lb.) axis: 6:00

Copyright: National Gallery of Art: CC0 1.0

Curator: This exquisite bronze relief, dating from before 1534, presents us with the likeness of Daniele Renier, a Venetian Patrician. It’s a powerful representation of status in Renaissance Venice. Editor: It has a somber feel, doesn't it? The monochrome palette and the rather severe profile create a mood of restrained power, I would say. Notice how the low relief emphasizes contour over volume, creating a distinct silhouette. Curator: Absolutely. Consider how medals like these functioned within the social and political landscape of the time. They were not simply portraits, but rather tools of self-promotion, carefully crafted to project an image of authority and nobility. Their size and portability made them ideal for distribution amongst a network of social contacts. Editor: Yes, and that profile is crucial. It reduces the complexity of a three-dimensional form to a readable graphic element. The sharp lines of the nose and the determined set of the jaw convey a sense of resolute character, even perhaps ambition. Curator: The inscription encircling the portrait— "Daniele Renier Patricius PAV[a] DIGNISSIMUS" – directly reinforces this message, explicitly proclaiming Renier as a most worthy citizen of Padua. Editor: Did you note the way the light subtly catches the textures? There is the smooth polish on the cheek contrasted with the roughened treatment of the hair under the soft cap. The way in which the material has been worked lends an undeniable sophistication. Curator: I’m interested in who exactly commissioned or possessed this medal. The intention behind such portraiture in the 16th century speaks volumes about Venice's oligarchical social structure and the competition for power within its elite circles. Editor: I find myself dwelling on how effectively the artist utilizes this circular format, trapping the Patrician within its confines, concentrating the gaze solely on his visage, creating a potent symbol through the carefully controlled elements of its design. Curator: For me, exploring such art unveils not only artistic skills but offers insight into the values and the power dynamics of a very specific moment in Venetian history. Editor: And it brings an opportunity to explore how visual language can define a legacy across the centuries. Thank you for illuminating such intricacies, Curator.

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