Self-Portrait in the Studio 1893

Arnold Böcklin completed this self-portrait in 1893, using oil on canvas, a traditional medium for the time. Look at the way Böcklin used oil paint to render his image. The materiality of the oil paint is crucial here. It allowed for a rich, layered surface, capturing the textures of his clothing, the sheen of his skin, and the depth of the studio space. It allowed him to create realistic textures and volumes with precision. The labor involved is evident in the meticulous detail of the painting, from the intricate patterns of his trousers to the subtle gradations of light and shadow. Böcklin's mastery of oil painting demonstrates the value placed on skill and craftsmanship, raising questions about the relationship between art and labor. By focusing on the materials, making, and context, we gain a deeper understanding of Böcklin's artistic vision, challenging conventional distinctions between art and craft.