The Man of Sorrows 1446

Petrus Christus painted ‘The Man of Sorrows’ sometime in the 15th century; the painting presents a powerful image of Christ flanked by two angels. The composition is strikingly symmetrical, with the sorrowful figure of Christ centered against a dark backdrop, creating an immediate sense of focus and intimacy. Note the formal tension between the graphic details of Christ’s suffering and the serene expressions of the angels. This contrast functions semiotically, creating a dynamic interplay between divine suffering and transcendent peace. The vertical orientation of the sword held by the angel on the right creates a visual tension that pulls the eye upwards, contrasting with the drooping posture of Christ. In this way, Christus uses visual structure to destabilize easy interpretations, prompting a deeper engagement with themes of sacrifice and redemption. The painting compels viewers to confront the paradox of divine suffering through a carefully constructed visual and philosophical dialogue.