The Last Judgment c. 16th century

Editor: Here we have Daniel Hopfer's "The Last Judgement." It's a very detailed etching. I am impressed by the depth and density that Hopfer achieved. What strikes you most about how this piece was made? Curator: For me, it's the innovative process. Hopfer was experimenting with etching techniques, likely adapting methods from armor decoration, to create prints. The physical labor and craft involved in etching these intricate lines into metal – the materiality of the plate itself – speaks volumes about the artistic production of the time. Editor: So, you're highlighting how the method shaped the artwork? Curator: Precisely! It challenges the traditional hierarchy between printmaking and other more 'prestigious' art forms. It makes you consider the socioeconomic status of the artisan versus a master artist. The "how" becomes as important as the "what." Editor: I never thought of it that way before. Thanks!