The Risen Christ between Saints Andrew and Longinus c. 1472
drawing, print, paper, engraving
portrait
drawing
figuration
paper
portrait drawing
history-painting
italian-renaissance
engraving
Dimensions: 330 × 320 mm
Copyright: Public Domain
Curator: Andrea Mantegna's "The Risen Christ between Saints Andrew and Longinus," dating back to around 1472, is an engraving on paper currently residing here at the Art Institute of Chicago. Editor: My first impression is the sharp line work, it's stark yet conveys so much depth and a somber kind of reverence, wouldn’t you say? Curator: Indeed. Mantegna, deeply influenced by classical antiquity, employs this style to connect the early Renaissance with historical narratives, reflecting both spiritual intensity and humanist ideals. Editor: Look at the varied textures he’s created with what is essentially just lines. From the Saint's drapery to Longinus's armor – all done with such meticulous craft! Curator: His precise engraving technique emulates sculpture and Roman bas-reliefs, giving it a sense of permanence and authority fitting for religious iconography. This piece, distributed as a print, amplified Mantegna’s influence far beyond his immediate circle, impacting artists across Europe. Editor: It's fascinating how printmaking facilitated the spread of artistic ideas. Think about the workshops involved – the artisans reproducing this image, contributing their own labor to propagate this vision. Curator: Absolutely. The print functioned almost as a form of mass media. It’s fascinating to think of the social role this work occupied as it disseminated widely and influenced perceptions of the divine in its time. Editor: It raises interesting questions about value. Was this seen as lesser, because it wasn’t a unique piece, but rather part of a larger production process? And how did the consumption of such imagery impact societal norms? Curator: Exactly. The print serves as both a vehicle for artistic expression and for understanding the complex social dynamics of art, patronage, and faith of the era. Editor: Examining this engraving through materiality and the social conditions of its creation helps to challenge assumptions about what we define as high art. Curator: Precisely, offering new insight into the role art plays beyond aesthetics and a chance to reinterpret familiar images.
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