Geornamenteerde zuil 1865 - 1930

Curator: Editor: So, this is Jac van Looij's "Geornamenteerde zuil," a colored pencil and pencil drawing, probably done between 1865 and 1930. It feels like a study for something larger, almost architectural in its detail. What do you see in this piece? Curator: Well, immediately I’m drawn to the column as a symbol of power, traditionally male power. But here, presented as a sketch, almost incomplete, it feels…vulnerable. And the geometric ornament evokes classicism and the power structures inherent in Western art. Have you considered the colonial implications of classical architectural elements often adorning buildings that reinforced colonial authority? Editor: That's a fascinating point. I hadn't thought about the colonial aspect directly, but the 'incomplete' nature, as you say, could also suggest a sort of deconstruction, right? A questioning of those very power structures? Curator: Exactly. It's not simply a celebration of classicism, but perhaps a subtle critique. Van Looij, operating in the late 19th and early 20th century, was undoubtedly aware of the societal shifts challenging traditional hierarchies. I'd wonder if the choice of media – humble pencils – contributes to that sense of undermining the grandiosity usually associated with such subjects. Editor: That makes sense. The sketch-like quality definitely democratizes the image. Curator: Indeed. By rendering such an emblem of power in such accessible terms, the artist seems to be initiating a conversation. Do you think that resonates with a contemporary audience? Editor: Absolutely. Thinking about accessibility and deconstruction provides an amazing starting point. Thanks! Curator: My pleasure. It's always rewarding to see how historical objects reflect, and even refract, modern concerns.