Hazenjacht by Johannes Tavenraat

Hazenjacht Possibly 1872

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drawing, paper, ink

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drawing

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narrative-art

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pen sketch

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landscape

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figuration

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paper

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ink

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line

Dimensions: height 138 mm, width 214 mm

Copyright: Rijks Museum: Open Domain

Editor: Okay, next up we have “Hazenjacht,” possibly from 1872, by Johannes Tavenraat. It’s an ink and pen drawing on paper. The scene depicts a hare hunt and feels very immediate, like a snapshot. There's even writing across the top portion. How do you interpret this work within its historical context? Curator: What’s immediately striking is the casualness of the presentation, almost like a quick memo. The inscription above the hare hunting scene seems unrelated, perhaps even a note reused for a drawing. This hints at a different understanding of art's function then than now. This image invites us to reflect on how such works gained prominence. Did they circulate privately, perhaps as personal correspondence, before entering a public collection like the Rijksmuseum? Editor: That’s interesting. I hadn't considered its journey from a personal sketch to a museum piece. Does the "snapshot" aesthetic relate to the broader art world, or is it a technique favored specifically by the artist? Curator: It speaks to a changing artistic landscape. With increasing social mobility and a growing middle class, art’s role shifted from solely serving elite patrons or religious institutions. Did sketches like these offer an accessible, relatable vision for a broader public hungry for depictions of everyday life, reflecting the contemporary appeal for genre paintings of bustling market squares, or domestic scenes? Editor: I see. So it reflects larger societal changes, bringing everyday narratives to the forefront, in accessible sketches for the enjoyment of the upwardly-mobile merchant class. I’ll definitely look at the museum's collection with a fresh eye. Curator: Indeed! Art constantly reflects, and also shapes our understanding of social values and aspirations. Considering those questions helps us critically assess how we assign value to artworks today.

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