Crucifixion 17th-18th century

Curator: This is Gérard Edelinck's "Crucifixion," housed here at the Harvard Art Museums. Look at how the angels surround the figure of Christ. Editor: There's a swirling theatricality to this print. It feels like a stage production, full of dramatic gestures of grief. Curator: Yes, and the light draws your eye to the central figure, highlighting the wounds. The artist uses the symbols of the crucifixion powerfully here. We have the crown of thorns, the placard, even the discarded crown below. Editor: The crown’s placement on the pillow is a compelling visual statement about power, sacrifice, and divine authority. I wonder about the audience for such images and how it reinforced social hierarchies. Curator: The image also reflects a deep cultural memory. The crucifixion as a symbol of suffering and redemption has resonated through centuries of art and belief. Editor: Indeed, its historical weight continues to shape discussions around faith, justice, and power today. It's a potent reminder. Curator: Seeing the symbol through these new lenses gives this artwork new dimensions. Editor: Absolutely. It reminds us of the importance of engaging with art through multiple perspectives.