Nécessaire incorporating a watch (one of a pair) 1755 - 1765

Editor: This intricate object, titled "Nécessaire incorporating a watch," dates back to between 1755 and 1765. It's a stunning mix of metal, gold, bronze, and ivory— a miniature sculpture of sorts, currently residing at the Met. Its gilded exuberance definitely says Rococo. I’m really struck by the opulence... What stands out to you about this piece? Curator: The real marvel lies in the condensation of signifiers: time, wealth, artistry, and the body are intertwined. Consider the "nécessaire" itself, a container of intimate objects, often perfumes or cosmetics, literally 'necessary' for the fashionable person. Then there's the clock: Father Time, quite literally ruling from above. Do you see how this positions the user in relation to time, fashion, and, by extension, mortality? Editor: That’s fascinating! So, it's more than just a beautiful object; it's a symbolic representation of status and the fleeting nature of time? The watch reminds me of vanitas paintings. Curator: Exactly. And let’s not forget the Rococo style; the excessive ornamentation speaks to the aspirations of the wealthy class, using adornment as a display of their mastery. Everything—even time—is bejeweled. Editor: It’s incredible how many layers of meaning can be packed into one small object. I hadn't considered all of that. Curator: The piece is speaking of a particular historical moment of technological advancement where new markets of luxury, artistic expression, and scientific innovation have rapidly increased. Remember, visual culture is an archive. Editor: Thank you! Looking at it that way, it is more about wealth but speaks to humanity and a particular cultural snapshot.