Near the spinning wheel 1954

Mariam Aslamazian created this painting titled 'Near the Spinning Wheel' using oil on canvas, a medium that allows for rich textures and depth. The subdued palette of earthy browns, greys and blues immediately sets a tone of introspection. The painting is structured around the central figure of a woman, seated in a pose of quiet dignity. Aslamazian masterfully uses line and form to draw our attention to the woman's face, which is framed by a traditional headscarf. Her hands, holding what appears to be a book, are rendered with a sensitivity that speaks to their labor and age. The spinning wheel, positioned to the side, isn't just a background element, but an important signifier. It evokes the traditional roles of women. The book in her hands disrupts this expectation and opens up avenues of inquiry about the sitter's education, social position and inner life. The inclusion of a cup suggests ideas about domesticity and contemplation. The artwork's formal qualities work in harmony to create a portrait that transcends the specific, inviting ongoing interpretations of women's roles and social change.