Gourd vase 1885 - 1895

Editor: Right now, we're looking at a ceramic sculpture, a "Gourd Vase" created by Jean-Joseph Carriès between 1885 and 1895. It's giving me a feeling of rustic elegance, you know? I am struck by how simple it appears, yet how nuanced the dripping glazes are. What historical context would shed more light? Curator: It’s fascinating to view Carriès’ vase through the lens of the late 19th-century decorative arts movement. What do you see beyond just rustic elegance, especially when considering its display within a home or public space? Editor: Hmm, I suppose I see a departure from more ornate styles. The gourd shape and drippy glaze almost feel rebellious. Is this a commentary on the role of art in society? Curator: Precisely. Art Nouveau, the style Carriès worked within, often reacted against industrialization by embracing handcraftsmanship. His choice of such raw materials and organic shapes speaks volumes. He seems to democratize beauty, presenting something natural and slightly imperfect as art. Consider where something like this would have been displayed - in homes of the wealthy or potentially in more public art spaces intended for mass appreciation. How might that impact its cultural value? Editor: It’s like Carriès is saying art can be found everywhere, not just in grand sculptures, but in everyday forms made beautiful by a human touch. So, its meaning is shaped by its physical place but also its perceived purpose in reaching new audiences. Curator: Exactly! And in challenging elitist artistic standards of the time. Seeing this, one understands how deeply socio-political forces influence not only what art is created, but how and where it’s consumed by the public. Editor: This vase isn't just a pretty object; it reflects cultural shifts and questions artistic norms, amazing! Curator: Indeed, considering the "Gourd Vase", helps reveal complex dialogue between art, the artist and society in a changing world.