Silver Bowl by Hester Duany

Silver Bowl c. 1937

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drawing, watercolor

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drawing

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oil painting

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watercolor

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watercolor

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realism

Dimensions: overall: 29.5 x 23 cm (11 5/8 x 9 1/16 in.) Original IAD Object: 2 1/2" high; 2 3/4" wide

Copyright: National Gallery of Art: CC0 1.0

Editor: This is "Silver Bowl", dating from about 1937, created by Hester Duany. The artist employed drawing and watercolor to depict what appears to be…well, a silver bowl! It feels so simple, almost like a study. What’s your take on this piece? Curator: It's fascinating how everyday objects become potent symbols depending on their context. A silver bowl, especially during the Depression era, could represent aspiration, a striving for a lifestyle beyond immediate reach. Do you notice the initials inscribed on the bowl? Editor: Yes, "RT." Do you think that has any symbolic value in a social context? Curator: Potentially. Perhaps it references the intended recipient, tying the artwork to notions of commemoration, or legacy, particularly within a family. Such objects signified belonging and upward mobility in a changing society. Watercolors were a less-costly way to produce art. Think of it: how does it affect its meaning if this was not, say, an oil painting intended for a gallery wall, but instead an intimate, perhaps even preparatory, work? Editor: That's an interesting thought. Perhaps the intimacy is key, less about displaying wealth and more about preserving a moment, or a person's memory in an accessible way? It feels less like a formal portrait and more personal. Curator: Precisely! The act of carefully rendering this object suggests an investment beyond pure aesthetics. Consider the politics of representation: Who gets memorialized and how? It could be a statement on middle-class values amidst hardship, an insistence on elegance even with limited resources. Editor: So, viewing the bowl isn't just about admiring its aesthetic value, but thinking about what it symbolized during that time period, what kind of story it's telling about aspiration and social identity. Curator: Exactly. By paying attention to this seemingly ordinary object, we open doors to understand the anxieties and hopes of a whole era. Editor: I see the artwork very differently now; considering its context is enlightening.

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