En rudel hjorte by Lorenz Frølich

En rudel hjorte 1861

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drawing, pencil

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drawing

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landscape

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figuration

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pencil

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realism

Dimensions: 202 mm (height) x 157 mm (width) (bladmaal)

Curator: Here we have "En rudel hjorte," which translates to "A Herd of Deer," a drawing created in 1861 by Lorenz Frølich. Editor: My first thought is of the sheer kinetic energy captured with what looks like simple pencil strokes. There’s an immediacy to the composition, an anticipation hanging in the air. Curator: Indeed. The image teems with subtle symbolism, especially given the cultural significance of deer in Norse mythology and Danish folklore—a symbol of purity, speed, and connection to the wild, untouched nature. Editor: I'm particularly drawn to how Frølich uses the negative space. The bottom half of the drawing contains a barely-sketched image that contrasts so much with the dense woodland scene above. There's almost a meta quality to it, where the work shows the process of being rendered. Curator: You are spot on. The artist allows us a glimpse into his process and offers this completed vision of a thriving herd. Remember, wildlife was loaded with meaning; seeing a deer or herd might predict abundance, peace or renewal depending on local folklore. And often, artists echoed tales known to all. Editor: It seems almost photorealistic in its depiction of the deer, capturing the delicate bone structure in a hyperrealistic way. It’s fascinating to observe how the artist juxtaposes soft shading with defined, unwavering contours to illustrate the herd so precisely. Curator: Consider, also, the visual tension. The darker shaded portions of the upper forest give way to light, and a peaceful meadow where deer frolic without the suggestion of predation or menace, all drawn with meticulous care. Editor: In conclusion, it seems to me this drawing isn’t only an exquisite study of deer, but an insight into the relationship between seeing and making; watching an artist work with an eye for both structure and spontaneity. Curator: Yes. Through this pencil drawing, we see Frølich invite us into a symbolic space, asking us to contemplate the power that visual representation has on cultural memory and collective identity.

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