San Francesco di Paola by Fratelli Alinari

San Francesco di Paola c. 1880 - 1895

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photography, gelatin-silver-print, albumen-print

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etching

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photography

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gelatin-silver-print

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cityscape

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albumen-print

Dimensions: height 201 mm, width 257 mm, height 241 mm, width 328 mm

Copyright: Rijks Museum: Open Domain

Curator: What an extraordinary composition. This gelatin-silver print, "San Francesco di Paola", was created by Fratelli Alinari sometime between 1880 and 1895. Editor: It feels almost… stage-like. The emptiness of the plaza is striking, throwing into sharp relief the figures of ordinary people almost accidentally crossing through the space. A pre-cinema world captured. Curator: Absolutely, there is an interesting interplay between power, the built environment, and lived experience. I think we have to look at this as an expression of burgeoning nationalism within Italy. Notice the architecture and its reference to classicism. Editor: The building is strongly evocative; there is undeniable spiritual weight here. The dome calls to mind similar structures in Rome, carrying echoes of power, religion and control, of course. I can't help thinking about collective memory and the impact of such grand symbolism. Curator: Indeed, this recalls structures that served to uphold traditional societal hierarchies. Remember, in post-unification Italy, the Church's role was contentious and debated; photography such as this would have operated within very specific political parameters, supporting conservative values, gendered hierarchies, and national identity building. It begs the question—who is really welcome in this public square? Editor: Well, in looking at the visual narrative itself, I think it does present a fascinating document of its time. The horse-drawn carriages, the clothes the people are wearing – all frozen in this stark landscape. We look for narrative cues. I suppose I wonder what kinds of events unfolded there... were the people present at political rallies or attending religious services? Were any women visible here allowed a voice within this society? Curator: These are powerful questions. As we grapple with the legacies of Italian nationalism, exploring the visual culture through works like these opens necessary and ongoing conversations about gender, class, and power. Editor: Precisely. A single image brimming with social symbols, historical data, and lasting emotional power, to make us wonder.

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