De nestuithaler 1634 - 1693

Curator: Let’s turn our attention to “De nestuithaler,” held here at the Rijksmuseum. This engraving and pen drawing, dating sometime between 1634 and 1693, is the work of Jonas Umbach. Editor: Oh, my first impression is pure fairytale dark woods. Look at those dense, scratchy lines; it's all shadowy mystery, even though it depicts figures rather overtly going after a bird's nest. I can almost hear the rustling leaves and feel the damp earth. It’s also so detailed that I find myself creating my own narrative of the figures. Curator: Exactly! That tension between genre-painting and the stylistic attributes associated with the Northern Renaissance draws on contemporary social metaphors that resonate with ongoing conversations about human greed. I read it as a visual statement about the dangers of disrupting the natural order for personal gain. Editor: True, there's a stark contrast: the natural world's beautiful intricacy, so carefully rendered with those cross-hatched lines, versus these figures, aggressively disturbing its peace. Almost like invaders on this idyllic little slice of nature. Are we meant to side with the birds? Because I think I might! Curator: That is where its charm lies, it presents itself in a narrative light in which you feel included. This work arrives amid intense class divisions across Europe, these men aren't necessarily presented as “bad” people; just a product of circumstances that encourage us to assess our own position as ethical beings. Editor: I see your point. It’s interesting that Umbach places this pursuit within a meticulously drawn landscape; making this a meditation on human behaviour. There's an earthy charm to it, but it doesn't shy away from asking uncomfortable questions. And yet, even while speaking to these societal divisions it remains optimistic and full of movement! I love that even though he scratches away at society there remains a sense of joy. Curator: It reminds us to always look closely at the dynamics that shape our actions, as it engages with a historical perspective and still manages to feel present. Editor: What a lovely, thought-provoking piece! The world needs art that engages so intricately.